This is the ninth installment in a series about a book I'm reading called Stories Done, which is a great collection of tales of excess from counter-culture leaders.
Why aren't there more great rock-bio movies being made? Walk the Line, Ray, and The Doors offer proof of how great and rich with content they can be. A movie-industry friend of mine tells me it's often difficult to get the rights from protective family estates.
Anyway, Mikal Gilmore's chapter on Johnny Cash shows, if nothing else, that Walk the Line only touched the surface of great stories about the Man in Black. Here are some other doozies:
-- Johnny Cash was born without a name. "His parents simply called him JR. Years later, they decided J stood for John; they never did figure out what R stood for."
-- His sources of rebellion included, but were not limited to: the death of his brother, the heartlessness of his father, and the confinement he felt in his hometown.
-- As Cash sat writing "Folsom Prison Blues," the line "I shot a man in Reno just to watch him die" was what came to mind when he tried to think of "the worst reason a person could have for killing another person." He later said that line came to him quite easily.
-- He got thrown out of a hotel in Australia when he and Sammy Davis Jr. staged a fast-draw gun duel in the lobby. They fired off blanks and sent other hotel guests running.
-- He was the first U.S. citizen ever successfully sued by the government for setting fire to a national forest. He paid $125,000 in damages. Cash had been driving a camper through the forest. He knew it was leaking oil, and it caught the sun-hot grass on fire, causing three mountains to torch and driving nearly all 53 of the protected wild condors from the area. He laughed off the incident at trial while high on amphetamines.
-- The Ku Klux Klan picketed some of his shows because his first wife had a dark skin tone. They branded him "a degenerate who had mongrel children."
-- In 1967, he crawled into Nickajack Cave on the Tennessee River and lay down to die. But when an unexpected feeling came over him, telling him he wouldn't die there, he crawled back out and swore off drugs and madness. He soon thereafter married June Carter, and the story ends happily from there.
"I think art is the thing that fixes culture, moment by moment." - Author Ottessa Moshfegh
Sunday, December 27, 2009
Eating the Dinosaur: Nirvana's Guilt Rock
This is the second part in a series about Chuck Klosterman's new book Eating the Dinosaur.
Kurt Cobain (and possibly bassist Krist Novoselic) "could not reconcile the dissonance between mass success and artistic merit" when their band, Nirvana, was releasing its follow-up to the mega-smash Nevermind album.
Klosterman tries to get inside Cobain's head to wonder why In Utero had to be "conventionally 'bad' in order for it to be exceptionally good" and "why did that fraction of badness only matter if people knew that the badness was intentional."
The author compares Cobain to David Koresh, whose Branch Davidian cult was being raided by the feds at the same time as In Utero's recording sessions were beginning, in February 1993. They both had shoulder-length hair, played guitar, had bad childhoods, often complained of stomach problems, were obsessed with guns, and had troubling taste in women.
Klosterman's comparison oddly ends there, without making any sweeping assumptions, but it appears this book could indeed be a hodgepodge of pop-culture musings. And the style works well in forcing the reader to make his or her own conclusions, which is perhaps why Klosterman is largely considered one of the keenest pop-culture critics of our time. I think his goal is to find overlooked similarities and simplifications of the weird ways in which we embrace celebrities and their culture.
But back to the bad-art-as-good issue, another interesting story Klosterman tells is how Cobain forced his wife, Courtney Love, to return the Lexus she purchased. He didn't identify with the rich-person car. At this point, Cobain "merely looked like a millionaire trying to convince people that he still wanted to be the kind of guy who refused to buy a Lexus.
"In Utero sounds like what it is: Guilt Rock."
Kurt Cobain (and possibly bassist Krist Novoselic) "could not reconcile the dissonance between mass success and artistic merit" when their band, Nirvana, was releasing its follow-up to the mega-smash Nevermind album.
Klosterman tries to get inside Cobain's head to wonder why In Utero had to be "conventionally 'bad' in order for it to be exceptionally good" and "why did that fraction of badness only matter if people knew that the badness was intentional."
The author compares Cobain to David Koresh, whose Branch Davidian cult was being raided by the feds at the same time as In Utero's recording sessions were beginning, in February 1993. They both had shoulder-length hair, played guitar, had bad childhoods, often complained of stomach problems, were obsessed with guns, and had troubling taste in women.
Klosterman's comparison oddly ends there, without making any sweeping assumptions, but it appears this book could indeed be a hodgepodge of pop-culture musings. And the style works well in forcing the reader to make his or her own conclusions, which is perhaps why Klosterman is largely considered one of the keenest pop-culture critics of our time. I think his goal is to find overlooked similarities and simplifications of the weird ways in which we embrace celebrities and their culture.
But back to the bad-art-as-good issue, another interesting story Klosterman tells is how Cobain forced his wife, Courtney Love, to return the Lexus she purchased. He didn't identify with the rich-person car. At this point, Cobain "merely looked like a millionaire trying to convince people that he still wanted to be the kind of guy who refused to buy a Lexus.
"In Utero sounds like what it is: Guilt Rock."
Eating the Dinosaur: The Interview As Conversation
This is the first part in a series about Chuck Klosterman's new book Eating the Dinosaur.
When speaking to people, Klosterman prefers to interview them rather than talk to them "for real." He doesn't like the social limitations that tact puts upon real conversations, and he also doesn't like talking to most people more than once or twice in his lifetime.
Examining the odd phenomenon of the "interview," Klosterman recounts the singer Prince's behavior through much of the 1980s, when he declined almost every interview request he received. When he did allow an interview, he would demand that the reporter not use a tape recorder or write notes. Prince did this not because he was crazy but rather because he wanted the writer "to reflect only the sense of the conversation," as opposed to the specific phrasing he used.
Interesting. I often feel like I'm interviewing people when we're talking. I think it comes from actually interviewing people as a major part of my newspaper and PR jobs over the years. Sometimes I feel a little guilty about this, but I'm not sure why. The interviewing technique is a good way to get to know people and it keeps conversations with strangers from becoming awkward and filled with silences.
When speaking to people, Klosterman prefers to interview them rather than talk to them "for real." He doesn't like the social limitations that tact puts upon real conversations, and he also doesn't like talking to most people more than once or twice in his lifetime.
Examining the odd phenomenon of the "interview," Klosterman recounts the singer Prince's behavior through much of the 1980s, when he declined almost every interview request he received. When he did allow an interview, he would demand that the reporter not use a tape recorder or write notes. Prince did this not because he was crazy but rather because he wanted the writer "to reflect only the sense of the conversation," as opposed to the specific phrasing he used.
Interesting. I often feel like I'm interviewing people when we're talking. I think it comes from actually interviewing people as a major part of my newspaper and PR jobs over the years. Sometimes I feel a little guilty about this, but I'm not sure why. The interviewing technique is a good way to get to know people and it keeps conversations with strangers from becoming awkward and filled with silences.
Beach Boys' Success Forced On Them By Father
Brian Wilson's father, Murray, was "a tireless worker with a penchant for big ideas, [but] nothing came easy for him. A gruesome accident at Goodyear cost him his left eye" which caused him to have an aggressive personality that alienated him from his co-workers and "stalled him on the lower rungs of management."
This accentuated his desire to "kick the world in the ass." He wanted everything for himself, but since his accident seemed like that wouldn't be possible, he transfered that desire over to wanting everything for his kids.
Murray noticed Brian's skill for music just before his son's first birthday, when he was carrying Brian on his shoulders and singing a song. It didn't take long before Brian was humming along in a note-perfect replication of his father's voice.
Murray loved his son even more because of his obvious talent. But that didn't stop the Wilson boys from later recounting horrific allegations against their dad. He forced Brian to defecate on a plate as punishment for some small deed. He forced tomato-hating Dennis to eat them until he puked. He beat Brian with a two-by-four for unleashing a neighborhood dog. He took out his fake eye and forced the kids to stare into his blood-red socket.
These tales begin the examination of Brian Wilson in the book, Catch a Wave, by Peter Ames Carlin (who also penned the new Paul McCartney: A Life). Unfortunately, this doesn't seem like the best book to read about the Beach Boys. It's poorly written and not very coherent, and I don't plan on continuing reading it, even though the Beach Boys are one of my all-time favorite bands and their story (what I know of it) really interests me.
This accentuated his desire to "kick the world in the ass." He wanted everything for himself, but since his accident seemed like that wouldn't be possible, he transfered that desire over to wanting everything for his kids.
Murray noticed Brian's skill for music just before his son's first birthday, when he was carrying Brian on his shoulders and singing a song. It didn't take long before Brian was humming along in a note-perfect replication of his father's voice.
Murray loved his son even more because of his obvious talent. But that didn't stop the Wilson boys from later recounting horrific allegations against their dad. He forced Brian to defecate on a plate as punishment for some small deed. He forced tomato-hating Dennis to eat them until he puked. He beat Brian with a two-by-four for unleashing a neighborhood dog. He took out his fake eye and forced the kids to stare into his blood-red socket.
These tales begin the examination of Brian Wilson in the book, Catch a Wave, by Peter Ames Carlin (who also penned the new Paul McCartney: A Life). Unfortunately, this doesn't seem like the best book to read about the Beach Boys. It's poorly written and not very coherent, and I don't plan on continuing reading it, even though the Beach Boys are one of my all-time favorite bands and their story (what I know of it) really interests me.
Saturday, December 26, 2009
Isn't One Christmas Enough?
Now, I'm a guy who likes a good chick flick fairly often. But Four Christmases goes beyond my capacity to enjoy the feel-good family holiday cutefest.
Whoever conceptualized this turkey made some big mistakes. Not that they didn't perhaps have a seed of a good idea at first. I can't remember much of the movie (it was sooo bad), but it had something to do with a couple that finds their Caribbean vacation canceled and is forced to spend the holidays with their four parents and their extended families.
Seems like this could work, at least slightly, once the usually reliable leads Vince Vaughn and Reese Witherspoon were cast. But they may both have a difficult time recovering from this mess. A particularly porous scene is the one in which they pack their bags with sickening joy. I know it's the movies, but anybody having this much fun packing luggage is not a joy to watch.
Abhorrent performances are also on display from Sissy Spacek, Dwight Yoakam, Mary Steenburgen, Jon Voight, Jon Favreau, and Tim McGraw.
Sorry I've wasted this much time recapping this horrible experience (which, notably and embarrassingly, has grossed about $80 million since its Thanksgiving release).
1/2 out of ***** stars
Whoever conceptualized this turkey made some big mistakes. Not that they didn't perhaps have a seed of a good idea at first. I can't remember much of the movie (it was sooo bad), but it had something to do with a couple that finds their Caribbean vacation canceled and is forced to spend the holidays with their four parents and their extended families.
Seems like this could work, at least slightly, once the usually reliable leads Vince Vaughn and Reese Witherspoon were cast. But they may both have a difficult time recovering from this mess. A particularly porous scene is the one in which they pack their bags with sickening joy. I know it's the movies, but anybody having this much fun packing luggage is not a joy to watch.
Abhorrent performances are also on display from Sissy Spacek, Dwight Yoakam, Mary Steenburgen, Jon Voight, Jon Favreau, and Tim McGraw.
Sorry I've wasted this much time recapping this horrible experience (which, notably and embarrassingly, has grossed about $80 million since its Thanksgiving release).
1/2 out of ***** stars
The 10 Best Tarantino Flicks
10. Kill Bill Vol. 2 (2004) (director)
09. Kill Bill Vol. 1 (2003) (director)
08. From Dusk Till Dawn (1996) (screenwriter)
07. Natural Born Killers (1994) (story)
06. Inglourious Basterds (2009) (director)
05. Jackie Brown (1997) (director)
04. True Romance (1993) (writer)
03. Killing Zoe (1993) (executive producer)
02. Reservoir Dogs (1992) (director)
01. Pulp Fiction (1994) (director)
09. Kill Bill Vol. 1 (2003) (director)
08. From Dusk Till Dawn (1996) (screenwriter)
07. Natural Born Killers (1994) (story)
06. Inglourious Basterds (2009) (director)
05. Jackie Brown (1997) (director)
04. True Romance (1993) (writer)
03. Killing Zoe (1993) (executive producer)
02. Reservoir Dogs (1992) (director)
01. Pulp Fiction (1994) (director)
Inglourious Basterds - Misspelled, But Still Great
Inglourious Basterds continues to round out the case that Quintin Tarantino is one of the greatest movie directors of all time, right up there with the likes of Alfred Hitchcock, Oliver Stone, Stanley Kubrick, Woody Allen, Steven Spielberg, and Victor Fleming.
Perhaps the movie's most powerful scene is the slow-builder tension of the opening sequence, in which a Nazi colonel known as "The Jew Hunter" (an award-deserving Christoph Waltz) visits a family in France to make sure there is no harboring of Jews on the property. From there, we follow this wicked and charming colonel as he faces off against American Lieutenant Aldo Raine (a typically awesome Brad Pitt), who leads a group of Jewish-Americans on a mission to kill as many Nazis as possible.
Also of note is the stunning and magnetic Melanie Laurent as a Jewish girl who is living under an alias in very close proximity to many of the top-brass Nazis.
**** out of ***** stars
Perhaps the movie's most powerful scene is the slow-builder tension of the opening sequence, in which a Nazi colonel known as "The Jew Hunter" (an award-deserving Christoph Waltz) visits a family in France to make sure there is no harboring of Jews on the property. From there, we follow this wicked and charming colonel as he faces off against American Lieutenant Aldo Raine (a typically awesome Brad Pitt), who leads a group of Jewish-Americans on a mission to kill as many Nazis as possible.
Also of note is the stunning and magnetic Melanie Laurent as a Jewish girl who is living under an alias in very close proximity to many of the top-brass Nazis.
**** out of ***** stars
Monday, December 21, 2009
One-and-a-Half Hours in Amsterdam
In the midst of an entire weekend spent in airports and airplanes (about 80 percent of my time between Friday night at 10 EST to 12:30 a.m. Monday), I was able to squeeze in 90 minutes in downtown Amsterdam, The Netherlands.
I had hoped to walk a full loop of the city, but instead only got to jump off at the Amsterdam Centraal train station and briskly walk through frigid, 10-degree temperatures in the famed Red Light District.
That's me above entering the area next to an oddly phallic statue. Passed the "coffeeshops," hookers in windows, headshops, and an endless variety of pizza-by-the-slice dives.
The picture to the left is a photo next to one of the city's many canals, where the ladies of the evening were displaying their wares in the front windows (you can barely make some of them out if you look closely). If the windows had white blinds drawn, that meant they were temporarily busy and not open for more business.
Fascinating, but I had no time to enjoy any of the local delights because I had to get back to the airport Sheridan so as not to worry about missing the last train.
I had hoped to walk a full loop of the city, but instead only got to jump off at the Amsterdam Centraal train station and briskly walk through frigid, 10-degree temperatures in the famed Red Light District.
That's me above entering the area next to an oddly phallic statue. Passed the "coffeeshops," hookers in windows, headshops, and an endless variety of pizza-by-the-slice dives.
The picture to the left is a photo next to one of the city's many canals, where the ladies of the evening were displaying their wares in the front windows (you can barely make some of them out if you look closely). If the windows had white blinds drawn, that meant they were temporarily busy and not open for more business.
Fascinating, but I had no time to enjoy any of the local delights because I had to get back to the airport Sheridan so as not to worry about missing the last train.
Saturday, December 19, 2009
Snowcopalypsed In in Amsterdam
This picture to the right is the "Snowpocalypse" that's keeping me from getting home to D.C. after two weeks in Sweden/Denmark.
The good news: I made it to Amsterdam! United is putting me up for the night in a fairly swanky Sheridan that is a 3-minute walk from the United ticketing desk and a 5-minute walk to the train, which is a 15-minute ride to downtown (American city planners take note; in the U.S., I would have had to take at least one shuttle to the nearest airport hotel).
The bad news: My kinda luck today. After waiting for four hours at the airport for someone to finally give me a hotel room, I then spent another two-and-a-half hours sitting on a train that was going nowhere while somebody tryed to commit suicide on the tracks between the airport and downtown. I finally gave up after a disgusting Dutch airport burger and went back to my hotel room.
It's pretty late on Saturday night, but I have nothing better to do, so I think I'll try again to check if the trains are going downtown. I really want to walk around the Red Light District and see Ann Frank's house.
And what with United apparently canceling 500 flights today, of which most of those were headed to D.C. airports, I'm not really counting much on getting back home anytime this weekend. The upshot of that would be that I would get to see Amsterdam in the daytime and have more than an hour or two to explore. The down side being, I really am ready to be home for a change. They told me to come back to the airport at 9 a.m. tomorrow to get on an 11 o'clock flight. We'll see how that goes ...
The good news: I made it to Amsterdam! United is putting me up for the night in a fairly swanky Sheridan that is a 3-minute walk from the United ticketing desk and a 5-minute walk to the train, which is a 15-minute ride to downtown (American city planners take note; in the U.S., I would have had to take at least one shuttle to the nearest airport hotel).
The bad news: My kinda luck today. After waiting for four hours at the airport for someone to finally give me a hotel room, I then spent another two-and-a-half hours sitting on a train that was going nowhere while somebody tryed to commit suicide on the tracks between the airport and downtown. I finally gave up after a disgusting Dutch airport burger and went back to my hotel room.
It's pretty late on Saturday night, but I have nothing better to do, so I think I'll try again to check if the trains are going downtown. I really want to walk around the Red Light District and see Ann Frank's house.
And what with United apparently canceling 500 flights today, of which most of those were headed to D.C. airports, I'm not really counting much on getting back home anytime this weekend. The upshot of that would be that I would get to see Amsterdam in the daytime and have more than an hour or two to explore. The down side being, I really am ready to be home for a change. They told me to come back to the airport at 9 a.m. tomorrow to get on an 11 o'clock flight. We'll see how that goes ...
Friday, December 18, 2009
Obama, My Hero on Yet Another Issue. This Time it's Climate
Obama is THE MAN! Looks like no sleep for me before leaving for the Copenhagen airport in 5 hours, but who cares, when it means Jackson will get to live in a world that's not filled with droughts, famines, wars, flooding, etc.! I am gonna party when I get home!!!
Check out http://www.wri.org/news in a few hours when our news release is up.
Check out http://www.wri.org/news in a few hours when our news release is up.
Tuesday, December 15, 2009
Bicycles and Copenhagen = The Perfect Infrastructure
The most beautiful thing about Copenhagen is the the bikes. Bikes, bikes everywhere. I HAD to have one after three days of walking and riding trains.
Much to my delight, I discovered a free rental booth right there at the climate conference. All 25 motor-bikes were rented, but I didn't care, I needed some exercise and completely emission-free action. I was surprised that they only had 180 bicycles rented out. But the guy at the stand said many people didn't came from places where there is a bicycle culture and, plus, the weather IS pretty cold in Denmark in December.
Never mind that, I soon had my IKEA-brand prototype, which supposedly isn't going to be anywhere on the market except in Denmark for the next three years. These particular 100-pound beasts will eventually be delivered by a Copenhagen non-profit, in partnership with the furniture seller, to African communities to be used as ambulances!
I was on the road and lethal (this bike could do some damage). With the brisk air in my face, I set off from the central train station, past the famed Tivoli amusement park and gardens, then straight over a bridge where I promptly got lost for well over an hour. But much to my good fortune, I ended up in what I've heard was a 200,000-plus mass of anarchists, socialists, and other angry yet friendly-enough people marching straight towards the Bella Center (home of the conference) to protest ... something. The gist was that they wanted action on climate change, but that politicians are far too incompetent to be up to the task. Fair enough.
The protesters were cool and all, but I was in love with the streets of Copenhagen (long "a" or short "a," take your pick). It's amazing; there are very few streets that don't have double-wide bike lanes. And cars and pedestrians seem to hold a strong bikes-first attitude.
Next I headed down to Christiania, or "Freetown." It's a hippie commune that is blocked off from the rest of the bohemian side of Copenhagen by a wall covered completely in tasteful graffiti. Apparently it's a tourist hotspot, despite its occasional bouts of violent crime. But it seemed to me like everyone else was much more at home than me. It was eerily quiet as I walked through dark, tree-lined walkways; markets selling hippie clothes, trinkets, and pot-smoking devices; anarchist aid stations set up for the protesters; and fireworks being set off near a field of teepees. I got out of there without taking any really good pictures (which, I heard, is frowned upon, but it was dark at 3 p.m. when I was there anyway). I lifted this shot of the main entrance from the Web.
Upon leaving Christiania, I passed a castle named Rosenborg Slot, wheeled my way around downtown, and headed back to work. But for one afternoon (and and hour or so the day before in Malmo, Sweden) I was in bike heaven, which is about as good as it gets.
Much to my delight, I discovered a free rental booth right there at the climate conference. All 25 motor-bikes were rented, but I didn't care, I needed some exercise and completely emission-free action. I was surprised that they only had 180 bicycles rented out. But the guy at the stand said many people didn't came from places where there is a bicycle culture and, plus, the weather IS pretty cold in Denmark in December.
Never mind that, I soon had my IKEA-brand prototype, which supposedly isn't going to be anywhere on the market except in Denmark for the next three years. These particular 100-pound beasts will eventually be delivered by a Copenhagen non-profit, in partnership with the furniture seller, to African communities to be used as ambulances!
I was on the road and lethal (this bike could do some damage). With the brisk air in my face, I set off from the central train station, past the famed Tivoli amusement park and gardens, then straight over a bridge where I promptly got lost for well over an hour. But much to my good fortune, I ended up in what I've heard was a 200,000-plus mass of anarchists, socialists, and other angry yet friendly-enough people marching straight towards the Bella Center (home of the conference) to protest ... something. The gist was that they wanted action on climate change, but that politicians are far too incompetent to be up to the task. Fair enough.
The protesters were cool and all, but I was in love with the streets of Copenhagen (long "a" or short "a," take your pick). It's amazing; there are very few streets that don't have double-wide bike lanes. And cars and pedestrians seem to hold a strong bikes-first attitude.
Next I headed down to Christiania, or "Freetown." It's a hippie commune that is blocked off from the rest of the bohemian side of Copenhagen by a wall covered completely in tasteful graffiti. Apparently it's a tourist hotspot, despite its occasional bouts of violent crime. But it seemed to me like everyone else was much more at home than me. It was eerily quiet as I walked through dark, tree-lined walkways; markets selling hippie clothes, trinkets, and pot-smoking devices; anarchist aid stations set up for the protesters; and fireworks being set off near a field of teepees. I got out of there without taking any really good pictures (which, I heard, is frowned upon, but it was dark at 3 p.m. when I was there anyway). I lifted this shot of the main entrance from the Web.
Upon leaving Christiania, I passed a castle named Rosenborg Slot, wheeled my way around downtown, and headed back to work. But for one afternoon (and and hour or so the day before in Malmo, Sweden) I was in bike heaven, which is about as good as it gets.
Music Reviews in 3 Words or Less: Vol. 12
Doug Gillard - Call From Restricted (2009)
Perfect Ted Leo
Touchstones: Late-era Replacement meets late-era Guided By Voices
****1/2 out of ***** stars
Lady Gaga - The Fame Monster Disc I (2009)
Juiced-up Top 40
Touchstones: Madonna meets Britney Spears
**** out of ***** stars
Kiss - Destroyer (1976)
Love this album
Touchstones: Thin Lizzy meets a boogie-ing Bad Company
**** out of ***** stars
Jack Penate - Everything Is New (2009)
Unafraid sass pop
Touchstones: The Cure meets The Shout Out Louds
***1/2 out of ***** stars
Alexi Murdoch - Away We Go Soundtrack (2009)
Longing, searching beauty
Touchstones: Nick Drake meets
***1/2 out of ***** stars
Annie - Don't Stop (2009)
Great, sometimes awful
Touchstones: Lily Allen meets Bananarama
*** out of ***** stars
Perfect Ted Leo
Touchstones: Late-era Replacement meets late-era Guided By Voices
****1/2 out of ***** stars
Lady Gaga - The Fame Monster Disc I (2009)
Juiced-up Top 40
Touchstones: Madonna meets Britney Spears
**** out of ***** stars
Kiss - Destroyer (1976)
Love this album
Touchstones: Thin Lizzy meets a boogie-ing Bad Company
**** out of ***** stars
Jack Penate - Everything Is New (2009)
Unafraid sass pop
Touchstones: The Cure meets The Shout Out Louds
***1/2 out of ***** stars
Alexi Murdoch - Away We Go Soundtrack (2009)
Longing, searching beauty
Touchstones: Nick Drake meets
***1/2 out of ***** stars
Annie - Don't Stop (2009)
Great, sometimes awful
Touchstones: Lily Allen meets Bananarama
*** out of ***** stars
Wednesday, December 9, 2009
Protesters and Burger Burpers: Ah Scandanavia
The working hours got longer as the latter half of Week One came to a close here at the UN climate conference in Copenhagen, but the action was clearly heating up.
I've had my nose in a barely-functioning rental laptop PC from my workplace, the World Resources Institute (I always kick myself when I don't bring my Mac on these kinds of work trips), when the protesters (pictured) barged into my space at the Bella Center. They chanted "Tuvalu. Listen to the islands" and demanded to be let in to speak to negotiators in one of the nearby mammoth UN assembly halls. The fuzz was quickly on the scene kicking the protesters and yours truly out of the area.
It's truly been madness. Because it's more difficult than ever to corral journalists with heightened security in front of the media center, I've resigned to do less of the schmoozing with reporters that I had planned and try to push more materials out to them through phone calls, press statements, press releases, and other correspondence. Very different from the annual climate conferences I attended in Montreal and Nairobi, where it was easy to walk through the press areas and line up interviews.
I got a chance to see a little bit of the cities of Malmo, Sweden (where it's cheaper and where my hotel is located) and Copenhagen in the late afternoon on a couple of days. I took a train from the Bella Center to the Copenhagen Central Station before proceeding to get lost looking for our office space at a place called the Vartov Center. At least that lostness kept me away from my faulty laptop for a while and I got to see the big "Hopenhagen" globe (pictured) next to the Tivoli Gardens, a famed amusement park where people were dropping and swinging and gliding on scary rides high above the city in below-freezing temperatures. Uh, no thanks.
I also ate some alright Thai food at a place that would accept none of my credit cards, but I escaped by way of paying with Swedish kronas instead of Dutch kronas. I ate a gnarly cheeseburger (with an incredibly drunk guy who grunted frequent noises my way and dropped most of his mega burger on the floor, each time accompanied by a large splat) and a debatably-contaminated Mediterranean thingy, mainly because it's always late when I'm done working and I have to eat SOMETHING.
Not to mention that this whole place disorients me quite a bit. I never feel as lost in places like Brazil, Africa and Asia as I have here. Maybe it's because of the cold and because they seem rude, even though every time I get into a conversation they're eagerly nice (except for the hamburger guy).
I'll tell you about my weekend bike ride to the hippy commune next. For now, it's already too late and next week starts in about 5 hours.
I've had my nose in a barely-functioning rental laptop PC from my workplace, the World Resources Institute (I always kick myself when I don't bring my Mac on these kinds of work trips), when the protesters (pictured) barged into my space at the Bella Center. They chanted "Tuvalu. Listen to the islands" and demanded to be let in to speak to negotiators in one of the nearby mammoth UN assembly halls. The fuzz was quickly on the scene kicking the protesters and yours truly out of the area.
It's truly been madness. Because it's more difficult than ever to corral journalists with heightened security in front of the media center, I've resigned to do less of the schmoozing with reporters that I had planned and try to push more materials out to them through phone calls, press statements, press releases, and other correspondence. Very different from the annual climate conferences I attended in Montreal and Nairobi, where it was easy to walk through the press areas and line up interviews.
I got a chance to see a little bit of the cities of Malmo, Sweden (where it's cheaper and where my hotel is located) and Copenhagen in the late afternoon on a couple of days. I took a train from the Bella Center to the Copenhagen Central Station before proceeding to get lost looking for our office space at a place called the Vartov Center. At least that lostness kept me away from my faulty laptop for a while and I got to see the big "Hopenhagen" globe (pictured) next to the Tivoli Gardens, a famed amusement park where people were dropping and swinging and gliding on scary rides high above the city in below-freezing temperatures. Uh, no thanks.
I also ate some alright Thai food at a place that would accept none of my credit cards, but I escaped by way of paying with Swedish kronas instead of Dutch kronas. I ate a gnarly cheeseburger (with an incredibly drunk guy who grunted frequent noises my way and dropped most of his mega burger on the floor, each time accompanied by a large splat) and a debatably-contaminated Mediterranean thingy, mainly because it's always late when I'm done working and I have to eat SOMETHING.
Not to mention that this whole place disorients me quite a bit. I never feel as lost in places like Brazil, Africa and Asia as I have here. Maybe it's because of the cold and because they seem rude, even though every time I get into a conversation they're eagerly nice (except for the hamburger guy).
I'll tell you about my weekend bike ride to the hippy commune next. For now, it's already too late and next week starts in about 5 hours.
Sleepy But Still Saving the World
Jetlag began to wane by the second and third days here at the climate conference in Copenhagan. Not that anyone here would notice, since we're all getting 4 to 6 hours of sleep each night before trundling off each dark morning to more meetings and side events to negotiate how the entire world (even if the extremely unscientific Sarah Palin is dragged along kicking and screaming) can work together to save ourselves from ourselves. It will truly be a breath-taking achievement of mankind if we can make a dent in our man-made, heat-trapping pollutants and do so in a way that all countries see their economies improve and thrive.
On Tuesday, about 24 hours after I arrived, the first of two press briefings I organized went off without a hitch. With about 50 people in the room (about 15 or 20 were journalists, the rest were mostly from NGOs), the World Resources Institute's briefing titled "Essential Elements of a Copenhagen Agreement" was impressively led by our new climate director Jennifer Morgan. (WRI's last climate director was Jonathan Pershing, who now leads Obama's climate negotiating team.) Watch her and the other WRI panelists in action here. (The sign on the wall above them is my creation. I'll take PowerPoint lessons from anyone who offers.)
Jennifer outlined the major issues on the table in Copenhagen:
1.) How much will developed countries like the U.S. help fund measures (through institutions like the World Bank and UN) to improve the situations in developing countries like Tuvalu and the Maldives, not to mention Brazil, China, and India?
2.) How can forests be better represented in these funding measures, since unwisely-chopped-down forests account for about 15 percent of global-warming emissions? Right now, forests are more or less an afterthought when smart management could be a huge key that wouldn't take lots of technological wizardry.
3.) What kinds of technology, research, and education is needed to help poorer countries, the ones most effected by decades of pollution from rich countries, adapt to their changing climates?
OK, I'm getting wonky. This is supposed to be Pop Culture Lunch Box! It's 2 a.m. I better sleep for a bit.
On Tuesday, about 24 hours after I arrived, the first of two press briefings I organized went off without a hitch. With about 50 people in the room (about 15 or 20 were journalists, the rest were mostly from NGOs), the World Resources Institute's briefing titled "Essential Elements of a Copenhagen Agreement" was impressively led by our new climate director Jennifer Morgan. (WRI's last climate director was Jonathan Pershing, who now leads Obama's climate negotiating team.) Watch her and the other WRI panelists in action here. (The sign on the wall above them is my creation. I'll take PowerPoint lessons from anyone who offers.)
Jennifer outlined the major issues on the table in Copenhagen:
1.) How much will developed countries like the U.S. help fund measures (through institutions like the World Bank and UN) to improve the situations in developing countries like Tuvalu and the Maldives, not to mention Brazil, China, and India?
2.) How can forests be better represented in these funding measures, since unwisely-chopped-down forests account for about 15 percent of global-warming emissions? Right now, forests are more or less an afterthought when smart management could be a huge key that wouldn't take lots of technological wizardry.
3.) What kinds of technology, research, and education is needed to help poorer countries, the ones most effected by decades of pollution from rich countries, adapt to their changing climates?
OK, I'm getting wonky. This is supposed to be Pop Culture Lunch Box! It's 2 a.m. I better sleep for a bit.
Travels in Sweden and My Impending Darkness
Well, here it is Wednesday night and I'm just now posting my first travel entry about my trip to Copenhagen for the much-ballyhooed United Nations climate conference. I arrived from a red-eye flight Sunday night and have had jetlag and lack of sleep from working very hard to save the planet, so forgive me for not keeping you all updated. I'll try to do better for my remaining 10 days here.
Although it's always cool being in new places, I have to admit there hasn't been much to see so far. This has to do with the above mention of working too hard (always indoors) and the fact that I saw no sunlight from the time I left D.C. at 5 p.m. Sunday until around 2 p.m. Tuesday, when I ventured out of the conference's Bella Center to take the metro to a phone store to get more minutes on my travel phone. And even then it was pretty dark.
This conference is certainly exciting. Reports from registration officials are that 15,000 people are registered (about three times the usual for these annual meetings, in which country officials try to bang out an international climate agreement to succeed the less-than-optimal Kyoto Protocol), but that 37,000 will try to get in.
My proudest moment came on Monday evening. After waiting in line to register for nearly two hours, the police announced that registration was closed for the day. I hung around for a bit, but it was looking pretty useless, so I went to a nearby bathroom. After that, I took one last peek at the line before getting on the train. There were still a few people waiting and they were moving in through the gate quickly. I ran to try and join them and was stopped by a policewoman who was hearing none of my pleas. I saw a policeman who I had spoken with earlier and told him I HAD to set up for a press briefing in the morning. Thus, I became the very last, and I mean dead last, person to be allowed into the venue on opening day. Don't think of myself as a sweet-talker, but I guess I have a little touch.
These first couple of days have been like this: truly feeling helpless. I brought only half of my Europe power adapter, so my iPhone had no juice and my computer had no battery. My local phone was the only thing that worked, so at least the endless string of journalists trying to reach me had some way to do so. On top of all this, the Copenhagen hotels sold out all their rooms long ago, so we are staying about an hour away in Malmo, Sweden, which means a train ride then a metro ride every morning to get to the Bella Center for our 8 a.m. staff meeting.
It may not be Copenhagen (which I have yet to explore), but Malmo is cute, as you can see from the photos here. One is the Ferris wheel in one of the town squares around the corner from our Best Western (World Resources Institute has 30 staffers staying here and five lucky people staying in Copenhagen). The other is one of some weird interpretive dancers in the street and looking kind of like witches and KKK members (they probably had some perfectly reasonable explanation, I hope).
My last complaint will be that our hotel has no gym. Watching the multitude of bikers and streets virtually empty of motor-vehicle traffic only adds salt to the wound of my lack of exercise.
OK, I'll stop being negative now. This is bound to get better. Stay tuned ...
Although it's always cool being in new places, I have to admit there hasn't been much to see so far. This has to do with the above mention of working too hard (always indoors) and the fact that I saw no sunlight from the time I left D.C. at 5 p.m. Sunday until around 2 p.m. Tuesday, when I ventured out of the conference's Bella Center to take the metro to a phone store to get more minutes on my travel phone. And even then it was pretty dark.
This conference is certainly exciting. Reports from registration officials are that 15,000 people are registered (about three times the usual for these annual meetings, in which country officials try to bang out an international climate agreement to succeed the less-than-optimal Kyoto Protocol), but that 37,000 will try to get in.
My proudest moment came on Monday evening. After waiting in line to register for nearly two hours, the police announced that registration was closed for the day. I hung around for a bit, but it was looking pretty useless, so I went to a nearby bathroom. After that, I took one last peek at the line before getting on the train. There were still a few people waiting and they were moving in through the gate quickly. I ran to try and join them and was stopped by a policewoman who was hearing none of my pleas. I saw a policeman who I had spoken with earlier and told him I HAD to set up for a press briefing in the morning. Thus, I became the very last, and I mean dead last, person to be allowed into the venue on opening day. Don't think of myself as a sweet-talker, but I guess I have a little touch.
These first couple of days have been like this: truly feeling helpless. I brought only half of my Europe power adapter, so my iPhone had no juice and my computer had no battery. My local phone was the only thing that worked, so at least the endless string of journalists trying to reach me had some way to do so. On top of all this, the Copenhagen hotels sold out all their rooms long ago, so we are staying about an hour away in Malmo, Sweden, which means a train ride then a metro ride every morning to get to the Bella Center for our 8 a.m. staff meeting.
It may not be Copenhagen (which I have yet to explore), but Malmo is cute, as you can see from the photos here. One is the Ferris wheel in one of the town squares around the corner from our Best Western (World Resources Institute has 30 staffers staying here and five lucky people staying in Copenhagen). The other is one of some weird interpretive dancers in the street and looking kind of like witches and KKK members (they probably had some perfectly reasonable explanation, I hope).
My last complaint will be that our hotel has no gym. Watching the multitude of bikers and streets virtually empty of motor-vehicle traffic only adds salt to the wound of my lack of exercise.
OK, I'll stop being negative now. This is bound to get better. Stay tuned ...
Funny People's Title May Mislead, But That's OK
Adam Sandler used to be my comic hero. And director Judd Apatow and his favorite leading man Seth Rogen are among my current comedic heroes. So Funny People, which I watched on my red-eye flight from D.C. to Copenhagen Sunday night, is can't miss. Right?
Pretty much right. The crazy part is that this movie is more touching than funny. It's got a few laugh-out-loud moments, but most of it grooves right where Sandler has been at his surprising best in recent years (the drama-first productions Spanglish and Punch-Drunk Love).
Sandler plays a mega-famous comedian who learns he's dying of leukemia. He quickly goes from happy-go-lucky to depressed and hires young-nobody comic Rogen to help write his jokes. The plotline dealing with Sandler trying to win back his old girlfriend (a pretty serviceable Leslie Mann) is unnecessarily long, but otherwise, this movie is a winner. And the never-ending cameos are worth the price of a rental any day.
**** out of ***** stars
Pretty much right. The crazy part is that this movie is more touching than funny. It's got a few laugh-out-loud moments, but most of it grooves right where Sandler has been at his surprising best in recent years (the drama-first productions Spanglish and Punch-Drunk Love).
Sandler plays a mega-famous comedian who learns he's dying of leukemia. He quickly goes from happy-go-lucky to depressed and hires young-nobody comic Rogen to help write his jokes. The plotline dealing with Sandler trying to win back his old girlfriend (a pretty serviceable Leslie Mann) is unnecessarily long, but otherwise, this movie is a winner. And the never-ending cameos are worth the price of a rental any day.
**** out of ***** stars
Wednesday, December 2, 2009
Pixies Cash In With Great Performance
The Pixies may just be getting better with age, if that's possible for a grizzled corps of indie-rock uber-vets. The band was much better last night at DAR Constitution Hall in D.C. than they were during their first reunion tour in 2004 (I saw them then in New York City).
Why would anyone bother arguing with the old money-making scheme of playing a classic album in its entirety when that album is Doolittle? An argument could be made that this is one of the 10 greatest albums of all-time.
Kim Deal was in fine form, smiling like a happy kid as she wound her wrist-gripping bass lines all over David Lovering's non-stop cracking, pumping drumming. She did the majority of speaking for the band (which wasn't much), regularly keeping the audience abreast of exactly where they were in the chronological progression of the album. Lovering also offered an evening highlight with the band's love song "La La Love You."
Joey Santiago was masterful on guitar, and Frank Black is timeless, yelping, screeching, yelling, and beautifully singing effortlessly throughout the nearly 90-minute set.
Among the many highlights that I witnessed with rachel, Stu, and Arohi were "Hey," "Crackity Jones," "Debaser," both the slow and fast versions of "Wave of Mutilation," "Here Comes Your Man," Monkey Gone to Heaven," "Gigantic," and "Where Is My Mind?" Even the b-sides from the Doolittle era kept the momentum pumping throughout.
It's worth noting that the soundperson was incredible. Every element of the music was so well separated, and very loud and clear. This was a relief because sound has been an issue at past shows I've seen at Constitution Hall, including R.E.M., Modest Mouse (particularly awful sound), and Ryan Adams and the Cardinals. The sound, it should be noted, was also excellent for indie-rockers-by-way-of-Rush Mew.
The Pixies may just be in the reunion game for the money (a charge that seems to continue being leveled in various media I've seen), but if this is what selling out is about, sign me up for Team Capitalist.
***** out of ***** stars
Why would anyone bother arguing with the old money-making scheme of playing a classic album in its entirety when that album is Doolittle? An argument could be made that this is one of the 10 greatest albums of all-time.
Kim Deal was in fine form, smiling like a happy kid as she wound her wrist-gripping bass lines all over David Lovering's non-stop cracking, pumping drumming. She did the majority of speaking for the band (which wasn't much), regularly keeping the audience abreast of exactly where they were in the chronological progression of the album. Lovering also offered an evening highlight with the band's love song "La La Love You."
Joey Santiago was masterful on guitar, and Frank Black is timeless, yelping, screeching, yelling, and beautifully singing effortlessly throughout the nearly 90-minute set.
Among the many highlights that I witnessed with rachel, Stu, and Arohi were "Hey," "Crackity Jones," "Debaser," both the slow and fast versions of "Wave of Mutilation," "Here Comes Your Man," Monkey Gone to Heaven," "Gigantic," and "Where Is My Mind?" Even the b-sides from the Doolittle era kept the momentum pumping throughout.
It's worth noting that the soundperson was incredible. Every element of the music was so well separated, and very loud and clear. This was a relief because sound has been an issue at past shows I've seen at Constitution Hall, including R.E.M., Modest Mouse (particularly awful sound), and Ryan Adams and the Cardinals. The sound, it should be noted, was also excellent for indie-rockers-by-way-of-Rush Mew.
The Pixies may just be in the reunion game for the money (a charge that seems to continue being leveled in various media I've seen), but if this is what selling out is about, sign me up for Team Capitalist.
***** out of ***** stars
Friday, November 27, 2009
The Chaotic Beauty of a Trail-Blazing Music Critic
When music critic Robert Palmer (not the singer Robert Palmer, of "Sneaking Sally Through the Alley" and "Addicted to Love" fame) asked Jerry Lee Lewis why he thought playing rock n' roll would damn him to hell, the piano fireballer responded, "I can't picture Jesus Christ doin' a whole lotta shakin'."
In his 1985 review of Madonna's first tour, Palmer noted that she was "backed by a competent but rather ordinary touring band and she simply didn't sing very well. Her intonation was atrocious; she sang sharp and she sang flat, and the combination of her unsure pitch and thin, quavery vocal timbre made the held notes at the end of her phrases sound like they were crawling off somewhere to die. This woman needs to see a good vocal coach before she attempts another tour. And one hopes that the next time she performs [at Radio City Music Hall], she will have learned not to toss tambourines into the air unless she's going to be able to catch them."
Palmer was an ardent supporter of punk, but in 1978 he disdained the Ramones as "a one-joke band. The Ramones do not project passion, they play dumb in order to look cool. And they have circumscribed their music to such an extent that the only thing it effectively satirizes is itself. They are the kind of joke one tires of very rapidly."
These are the kinds of fascinating nuggets sprinkled throughout the early pages of Blues & Chaos: The Music Writing of Robert Palmer. It collects Palmer's writings as the New York Times' first-ever music critic, as the editor of the record-review section in Rolling Stone, and from the many books he wrote. It's a book well worth skimming.
By an obituary writer in the Boston Globe when Palmer died in 1997: "I was so charmed by his writing, his knowledge, and his obvious love for the music that I treated [his book Deep Blues] as a Bible, reading each chapter and then buying every record it mentioned."
I can't imagine a better compliment for a music critic.
In his 1985 review of Madonna's first tour, Palmer noted that she was "backed by a competent but rather ordinary touring band and she simply didn't sing very well. Her intonation was atrocious; she sang sharp and she sang flat, and the combination of her unsure pitch and thin, quavery vocal timbre made the held notes at the end of her phrases sound like they were crawling off somewhere to die. This woman needs to see a good vocal coach before she attempts another tour. And one hopes that the next time she performs [at Radio City Music Hall], she will have learned not to toss tambourines into the air unless she's going to be able to catch them."
Palmer was an ardent supporter of punk, but in 1978 he disdained the Ramones as "a one-joke band. The Ramones do not project passion, they play dumb in order to look cool. And they have circumscribed their music to such an extent that the only thing it effectively satirizes is itself. They are the kind of joke one tires of very rapidly."
These are the kinds of fascinating nuggets sprinkled throughout the early pages of Blues & Chaos: The Music Writing of Robert Palmer. It collects Palmer's writings as the New York Times' first-ever music critic, as the editor of the record-review section in Rolling Stone, and from the many books he wrote. It's a book well worth skimming.
By an obituary writer in the Boston Globe when Palmer died in 1997: "I was so charmed by his writing, his knowledge, and his obvious love for the music that I treated [his book Deep Blues] as a Bible, reading each chapter and then buying every record it mentioned."
I can't imagine a better compliment for a music critic.
Tuesday, November 24, 2009
Away We Go Depresses and Uplifts
Away We Go is the most touching offbeat comedic romance drama you'll see this year. John Krasinski from The Office and former SNLer Maya Rudolph have perfect chemistry as an unmarried couple awaiting their first baby but lost as to where to raise the little one.
They travel from place to place looking for the right acquaintances to give them signs for where to settle. Many of the supporting actors are wacky and add the insanity to Krasinski and Rudolph's cute, yet just edgy enough, lovey-doveyness. Jeff Bridges and Catherine O'Hara are brutally hilarious as Krasinski's ridiculously selfish parents. Driven away from that scene, the couple consider Phoenix before Rudolph's old boss, played by Allison Janney, and her husband (Jim Gaffigan) drive them away with their loud-mouthed frankness to their children.
The real show stealers, however, are Maggie Gyllenhaal (Adaptation, Secretary, Donnie Darko) and Josh Hamilton (Alive, Kicking and Screaming, The House of Yes) as a couple in Madison, Wisconsin, with very strange views on parenting. The 10-minute scene in their stroller-less home is classic.
The soundtrack by the relatively unknown Alexi Murdoch is stellar, in a depressingly beautiful, Nick Drake kind of way. And Sam Mendes of American Beauty fame directs.
**** out of ***** stars
They travel from place to place looking for the right acquaintances to give them signs for where to settle. Many of the supporting actors are wacky and add the insanity to Krasinski and Rudolph's cute, yet just edgy enough, lovey-doveyness. Jeff Bridges and Catherine O'Hara are brutally hilarious as Krasinski's ridiculously selfish parents. Driven away from that scene, the couple consider Phoenix before Rudolph's old boss, played by Allison Janney, and her husband (Jim Gaffigan) drive them away with their loud-mouthed frankness to their children.
The real show stealers, however, are Maggie Gyllenhaal (Adaptation, Secretary, Donnie Darko) and Josh Hamilton (Alive, Kicking and Screaming, The House of Yes) as a couple in Madison, Wisconsin, with very strange views on parenting. The 10-minute scene in their stroller-less home is classic.
The soundtrack by the relatively unknown Alexi Murdoch is stellar, in a depressingly beautiful, Nick Drake kind of way. And Sam Mendes of American Beauty fame directs.
**** out of ***** stars
Saturday, November 21, 2009
I Can Already Smell the Turkey in the Oven
The Montgomery County Thanksgiving Parade was quite impressive this morning. They pull out all the stops for the two-and-a-half-hour celebration of turkeys.
Actually, a few more huge balloons would be cool, but there were a decent amount of big ones. Nothing to compare with Macy's however.
I liked the Scooby Doo and The Mystery Machine van, and all the dancers from various cultures were very American Idol and fun. Jackson loved it too, and we even let him eat one Dum Dum Pop.
Actually, a few more huge balloons would be cool, but there were a decent amount of big ones. Nothing to compare with Macy's however.
I liked the Scooby Doo and The Mystery Machine van, and all the dancers from various cultures were very American Idol and fun. Jackson loved it too, and we even let him eat one Dum Dum Pop.
King Dork Adds to the Post-John Hughes Literary Legacy
Having recently loved the book (and mildly liked the movie) I Love You, Beth Cooper, I felt like diving back into high-school-themed territory. King Dork, by former Mr. T Experience musician Frank Portman, was just the antidote.
Although not nearly as good as Larry Doyle's classic tale, Portman nevertheless fills his book with charm. "King Dork" is the name protagonist Tom Henderson gives himself, although the rest of his high school knows him (if they know him at all) as Chi-Mo, short for "child molester," even though Tom is no child molester.
Portman is great at building his characters and much less focused on plot. And his ability to get inside a teenager's head is his true talent. Tom stumbles through life, keeping himself happy by creating band names and album covers and titles with his friend Sam Hellerman. They eventually become known at their school for their actual music-making (or at least the publicity materials related to their music, such as provocative song names about teachers). Tom spends the rest of the time obsessing over the cause of his dad's death, why "Little Big Tom" is such a dorky step-dad, why his mom is so spaced out on drugs and cigarettes, why all the adults in the world are so consumed with Catcher in the Rye, and why he's able to eventually score some pretty hot chicks.
Will Ferrell's production company has secured the rights for a film version to be released in 2011, so we haven't heard the last of King Dork. And I'm definitely impressed enough with Portman's writing that I'll check out his new book, Andromeda Klein.
***1/2 out of ***** stars
Although not nearly as good as Larry Doyle's classic tale, Portman nevertheless fills his book with charm. "King Dork" is the name protagonist Tom Henderson gives himself, although the rest of his high school knows him (if they know him at all) as Chi-Mo, short for "child molester," even though Tom is no child molester.
Portman is great at building his characters and much less focused on plot. And his ability to get inside a teenager's head is his true talent. Tom stumbles through life, keeping himself happy by creating band names and album covers and titles with his friend Sam Hellerman. They eventually become known at their school for their actual music-making (or at least the publicity materials related to their music, such as provocative song names about teachers). Tom spends the rest of the time obsessing over the cause of his dad's death, why "Little Big Tom" is such a dorky step-dad, why his mom is so spaced out on drugs and cigarettes, why all the adults in the world are so consumed with Catcher in the Rye, and why he's able to eventually score some pretty hot chicks.
Will Ferrell's production company has secured the rights for a film version to be released in 2011, so we haven't heard the last of King Dork. And I'm definitely impressed enough with Portman's writing that I'll check out his new book, Andromeda Klein.
***1/2 out of ***** stars
Sunday, November 15, 2009
How Not to Get to Sesame Street
Lisa, Lucy, Meredith, Jack, Mike, Julia, Rachel, Jackson and I witnessed what must have been the most poorly organized Sesame Street-related event ever today at the George Washington University Lisner Auditorium.
The moment captured in photo to the left was the definite highlight. That's the REAL ELMO and, as you can see, Julia was on her best behavior and Jackson couldn't believe he was sitting that close to his hero.
Otherwise, this was a 40th-anniversary "party" aimed at adults but marketed for kids. So while the MC lady repeated told the kids to be quiet (a silly and impossible task) and even suggested that parents take any rowdy children outside for a break, everyone suffered through a program in which the puppeteers of Elmo, Abby Cadabby, Zoe, Prairie Dawn and the real-person Maria talked about how they became involved with Sesame Street (although the soundman never turned up the mics loud enough for anyone to hear anything) and audience members asked a never-ending litany of inane questions that could have been answered on the Web in two seconds.
By the time we got around to singing a couple of songs from the show, everyone was pretty fed up and had lost the energy and initiative to join in. By the time they confusingly announced that we should get in separate lines for book signings and pictures with the puppets (in what appeared to be a downstairs bathroom area), I bailed on the crew in time to walk to Georgetown to catch the second half of the Steelers-Bengals game at 51st State Tavern. My Steelers lost 18-12.
Just one of those days ...
The moment captured in photo to the left was the definite highlight. That's the REAL ELMO and, as you can see, Julia was on her best behavior and Jackson couldn't believe he was sitting that close to his hero.
Otherwise, this was a 40th-anniversary "party" aimed at adults but marketed for kids. So while the MC lady repeated told the kids to be quiet (a silly and impossible task) and even suggested that parents take any rowdy children outside for a break, everyone suffered through a program in which the puppeteers of Elmo, Abby Cadabby, Zoe, Prairie Dawn and the real-person Maria talked about how they became involved with Sesame Street (although the soundman never turned up the mics loud enough for anyone to hear anything) and audience members asked a never-ending litany of inane questions that could have been answered on the Web in two seconds.
By the time we got around to singing a couple of songs from the show, everyone was pretty fed up and had lost the energy and initiative to join in. By the time they confusingly announced that we should get in separate lines for book signings and pictures with the puppets (in what appeared to be a downstairs bathroom area), I bailed on the crew in time to walk to Georgetown to catch the second half of the Steelers-Bengals game at 51st State Tavern. My Steelers lost 18-12.
Just one of those days ...
Saturday, November 14, 2009
Sacha Baron Cohen Scores Another Direct Hit With Bruno
When Borat came in on my recent list as the 10th funniest movie ever, it did so with a heaping helping of shocking offensiveness. Just the fact that Sacha Baron Cohen has created an equally classic work of art with Bruno is cause for celebration. I don't know if this largely-panned movie is better than Borat, but it's darn close.
Considering that one of the first movies my dad took me to (behind my mom's back) was Blazing Saddles, I figured it would be OK for my 2-year-old Jackson to watch a bit of Bruno. Bad idea. (We've come a long way since the late 1970s, and this makes Mel Brooks look like Elmo.) No more than three minutes into the film, Bruno's penis was being sucked into a clear Dustbuster. Jackson's eyes were quickly covered and he was whisked off to bed.
That was just the tip of the iceberg. In the movie, Bruno's sassiness is contagious. Each time you start to moan about how tasteless many scenes are, there comes a twist in which you can't stop crying-laughing for minutes on end.
Some highlights of the story of the gay journalist who goes on an epic and heartfelt search to become "the biggest Austrian superstar since Hitler:" his flirtatious (to say the least) interview with politician Ron Paul (poor sucker), his (hilariously lengthy) delusional miming of a sex act, his sociologically relevant interviews with psychotic parents of child models who will agree to anything to get their kids hired, his attempts to become straight, his run-in with a dominatrix with a vicious whip, his son O.J., his dwarf lover. I could go on.
Just watch it. And leave your ability to be offended by Bruno far, far away.
***** out of ***** stars
Considering that one of the first movies my dad took me to (behind my mom's back) was Blazing Saddles, I figured it would be OK for my 2-year-old Jackson to watch a bit of Bruno. Bad idea. (We've come a long way since the late 1970s, and this makes Mel Brooks look like Elmo.) No more than three minutes into the film, Bruno's penis was being sucked into a clear Dustbuster. Jackson's eyes were quickly covered and he was whisked off to bed.
That was just the tip of the iceberg. In the movie, Bruno's sassiness is contagious. Each time you start to moan about how tasteless many scenes are, there comes a twist in which you can't stop crying-laughing for minutes on end.
Some highlights of the story of the gay journalist who goes on an epic and heartfelt search to become "the biggest Austrian superstar since Hitler:" his flirtatious (to say the least) interview with politician Ron Paul (poor sucker), his (hilariously lengthy) delusional miming of a sex act, his sociologically relevant interviews with psychotic parents of child models who will agree to anything to get their kids hired, his attempts to become straight, his run-in with a dominatrix with a vicious whip, his son O.J., his dwarf lover. I could go on.
Just watch it. And leave your ability to be offended by Bruno far, far away.
***** out of ***** stars
Wednesday, November 11, 2009
Music Reviews in 3 Words or Less: Vol. 11
Close Lobsters - Foxheads Stalk This Land (1987)
Best new/old band
Touchstones: The Church meets The Clash
****1/2 out of ***** stars
Meat Puppets - Sewn Together (2009)
Mellower, completely enjoyable
Touchstones: Symphonic Meat Puppets meets Classic 1980s Meat Puppets
****1/2 out ***** stars
Matthew Sweet - Altered Beast (1993)
Underrated power-pop classic
Touchstones: The Raspberries meets Television
****1/2 out of ***** stars
Matthew Sweet - Girlfriend (1991)
Slightly overrated classic
Touchstones: See above
**** out of ***** stars
Miss Derringer - Winter Hill (2009)
Emotional, big pop-punk
Touchstones: Blondie meets Hole
**** out of ***** stars
Morrissey - Years of Refusal (2009)
Surprisingly energetic rock
Touchstones: Big arena rock meets Sunday-morning Smiths classics
***1/2 out of ***** stars
The Big Pink - A Brief History of Love (2009)
Thumping trance-y dancerock
Touchstones: Happy Mondays meets The Alarm
*** out of ***** stars
Best new/old band
Touchstones: The Church meets The Clash
****1/2 out of ***** stars
Meat Puppets - Sewn Together (2009)
Mellower, completely enjoyable
Touchstones: Symphonic Meat Puppets meets Classic 1980s Meat Puppets
****1/2 out ***** stars
Matthew Sweet - Altered Beast (1993)
Underrated power-pop classic
Touchstones: The Raspberries meets Television
****1/2 out of ***** stars
Matthew Sweet - Girlfriend (1991)
Slightly overrated classic
Touchstones: See above
**** out of ***** stars
Miss Derringer - Winter Hill (2009)
Emotional, big pop-punk
Touchstones: Blondie meets Hole
**** out of ***** stars
Morrissey - Years of Refusal (2009)
Surprisingly energetic rock
Touchstones: Big arena rock meets Sunday-morning Smiths classics
***1/2 out of ***** stars
The Big Pink - A Brief History of Love (2009)
Thumping trance-y dancerock
Touchstones: Happy Mondays meets The Alarm
*** out of ***** stars
Sunday, November 8, 2009
Smash Hits at Jackson's 2nd Birthday Party
Here's a video from our very successful 2nd birthday party for Jackson this evening. It features a medley of Paula's sorta-jazzy rendition of "You Are My Sunshine," a Sprogs original called "Books About Monsters, and some mesmerized kids. Fun!
Wednesday, November 4, 2009
Typical Airplane Movie Junk: Up and I Love You, Beth Cooper
I had the pleasure of watching a couple of shoulda-been-better stinker movies on flights from Bangkok to Zurich and Zurich to D.C.
First up was I Love You, Beth Cooper, a flick I wanted to see because the book was so hilarious. Unfortunately, the same couldn't be said about the movie, which consisted of a bunch of C-rate actors, including a dad that was a dead-ringer for a fat, older Ed Norton. Hayden Panattierre placed her poor man's Marcia Brady acting chops on full display.
The film was pretty true to the book and funny at times, except it was more PG than necessary (substituting a handjob for a kiss, for instance) and lacked the extraordinary characterization built up by author Larry Doyle.
*** out of ***** stars
Next was Up, a plodding and not very well told Pixar/Disney creation that got roundly positive reviews, probably because Hollywood critics have to sift through so much muck that this must have seemed vaguely likable by comparison.
The boring and under-scored action sequences occasionally give way to touching moments, like when the old man, Mr. Frederickson, realizes that he hadn't been the failure to his deceased wife that he thought he'd been. Characters like his dog can best be described as annoying. Kevin, the colorful snipe, and Russell, the boy scout, on the other hand, add some comedic value.
** out of ***** stars
First up was I Love You, Beth Cooper, a flick I wanted to see because the book was so hilarious. Unfortunately, the same couldn't be said about the movie, which consisted of a bunch of C-rate actors, including a dad that was a dead-ringer for a fat, older Ed Norton. Hayden Panattierre placed her poor man's Marcia Brady acting chops on full display.
The film was pretty true to the book and funny at times, except it was more PG than necessary (substituting a handjob for a kiss, for instance) and lacked the extraordinary characterization built up by author Larry Doyle.
*** out of ***** stars
Next was Up, a plodding and not very well told Pixar/Disney creation that got roundly positive reviews, probably because Hollywood critics have to sift through so much muck that this must have seemed vaguely likable by comparison.
The boring and under-scored action sequences occasionally give way to touching moments, like when the old man, Mr. Frederickson, realizes that he hadn't been the failure to his deceased wife that he thought he'd been. Characters like his dog can best be described as annoying. Kevin, the colorful snipe, and Russell, the boy scout, on the other hand, add some comedic value.
** out of ***** stars
Zurich Is Stained, But It's Still Pretty Cool
Five-dollar burnt pot coffee. (Or shall I say five franc?) Seventeen-dollar buffet breakfast with some strange meats on display. Six-dollar tram rides no matter whether you're riding for one stop or 30 minutes.
These are a few of the things that make Zurich, Switzerland a little unnecessary in general. Not to mention the German-accented formality and rigidity of so many of the denizens of what has recently been ranked the "wealthiest city in Europe" and the "sixth most expensive city in the world."
We arrived at 7 a.m. on Monday and were able to check in to our lovely hotel, the Leoneck, just up the hill and across the Limmat River from the city center. The hotel was organized around a theme of cows, so Jackson was happy.
Although we slept for much of our 30-hour layover, we walked all over the city in the rain. Apple celery vanilla soup, peppermint pea soup, and a cheesy pizza-like thing called a flambee were just the antidotes to warm us up at lunch. Then I had a delicious Swiss dish of rosti, potatoes with vegetables and sausage on top.
We saw the old convent with stained glass paintings by Marc Chagall and listened to the bells frequently ringing longly and loudly. Then on Tuesday morning, we caught the excellent tram from right in front of our hotel straight to the airport. Our plane then flew into the sky with the beautiful Alps bursting beneath us.
Homeward bound! We're ready to get there after more than three weeks of world travel.
These are a few of the things that make Zurich, Switzerland a little unnecessary in general. Not to mention the German-accented formality and rigidity of so many of the denizens of what has recently been ranked the "wealthiest city in Europe" and the "sixth most expensive city in the world."
We arrived at 7 a.m. on Monday and were able to check in to our lovely hotel, the Leoneck, just up the hill and across the Limmat River from the city center. The hotel was organized around a theme of cows, so Jackson was happy.
Although we slept for much of our 30-hour layover, we walked all over the city in the rain. Apple celery vanilla soup, peppermint pea soup, and a cheesy pizza-like thing called a flambee were just the antidotes to warm us up at lunch. Then I had a delicious Swiss dish of rosti, potatoes with vegetables and sausage on top.
We saw the old convent with stained glass paintings by Marc Chagall and listened to the bells frequently ringing longly and loudly. Then on Tuesday morning, we caught the excellent tram from right in front of our hotel straight to the airport. Our plane then flew into the sky with the beautiful Alps bursting beneath us.
Homeward bound! We're ready to get there after more than three weeks of world travel.
Girls, Girls, Girls
Cool photos by my good friend Fran over at Pitchfork of my favorite new band Girls at Black Cat in D.C. last night.
I was scheduled to meet him, but jet-lag caught up with me after our flight from Zurich and I passed out until just about the moment the show was ending. Oh well, I'll have to wait to see the band when they get big and play Madison Square Garden.
I was scheduled to meet him, but jet-lag caught up with me after our flight from Zurich and I passed out until just about the moment the show was ending. Oh well, I'll have to wait to see the band when they get big and play Madison Square Garden.
Sunday, November 1, 2009
Lost in the Bangkok Market
We spent about six hours Sunday in the world's largest weekend market, Chatuchak.
I had accidentally withdrawn 200,000 baht ($600) out of an ATM, so we had stuff to buy!
Now it's time to board our red-eye to Zurich, Switzerland, where we have a 30-hour layover. Looking forward to cold weather, chocolate, and fondue (do they still make that stuff?).
Definitely needed more than one day at the start of our trip and two at the end in Bangkok. We didn't even get to see the glittering gold Temple of Dawn or the Siam Square "sci-fi megalopolis" skyscraper lights at night.
Westward ho!
Saturday, October 31, 2009
Halloween in Bangkok
We were happy to arrive at a peaceful haven of a hotel on Friday night after traveling by longtail boat, golf cart, van, moving walkway, plane and rush-hour taxi from Krabi to Bangkok.
Phranakorn Nornlen is an adorable "boutique" hotel near the northern part of the Chao Phraya River, not far from the Rama VIII suspension bridge in the neighborhood of Thewet. Our friend Maggie recommended it to us and we would do the same for anyone traveling here who likes sustainability, tradition, and the absense of hotel-chainliness. They serve us brown rice, papaya, fruit smoothies, salads, and other unusual fare for each breakfast. They also have great fresh, local organic food available during the rest of the day, like red curry fried rice, pad thai, and basil egg noodles. Perhaps the topper, though, along with all the cool paintings all over the walls, is the pull-chain CD player in our room, with a variety of homemade mixed collections featuring lots of Asian tropicana versions of classic rock songs like Let's Spend the Night Together."
We woke up Saturday and took the "orange" public river boat to the Grand Palace and Wat Phra Kaew, which stores the Emerald Buddha, and, as you can guess, Jackson was thrilled. It is a must-see for visitors to this city.
Then we strolled along through some street markets, which so far appear to be on every single street in Bangkok. We bought four big ceramic Snoopy bowls for $2.50 as well as a Cap'n Crunch t-shirt, knockoff Billabong shots, and much more.
Jackson woke up from a very hot nap in time to see the world's longest Buddha at Wat Pho. We got lost in the market stalls along the famous backpacker area of Khao San Road befor heading back to our hotel before dinner.
Ended up that we were too tired from walking around the city all day to head back out for the anticipated Halloween celebrations that were guaranteed to overtake the streets. But then again, a usual day in Bangkok feels like Halloween to me. In the words of a laughing Jackson, who, while strolling through the tailoring district, in answer to Rachel's question of "what's so funny?," said "laughing at people, Mommy."
Thursday, October 29, 2009
Lazy Days Towards the End of Our Asia Trek
Rain has halted some our our outlandish amounts of fun over the past two days here in, yes I'm using the word again, paradise.
But there have been some momentary breaks in the weather and some activity highlights.
Rachel got to climb on some world-class rockfaces on Wednesday morning. She was psyched. Jackson, on the other hand, was none too happy when I took him around the cove to find his mommy dangling precariously off some stalagtites. He broke into his worst and really only tantrum of the trip. I had to carry him back across the peninsula writhing in my arms and screaming, red-faced, "Mommy rock climbing" again and again.
Things lightened up when we went to dinner. After eating most meals at our resort, we discovered the funky side of Railay Bay and ate scrumptious BBQ tuna and red snapper, as well as salads with peanut sauce and naan breads. This was in the backpacker area that the fancy resort people on our side probably figure their clientele don't want to associate with. But it was much more in
line wih mine and Rachel's style.
We somewhat pathetically passed out by 10 p.m., but we much less pathetically woke back up again at midnight to watch Leonardo DiCaprio in The Beach, which we rented at the front desk and which I had just finished reading in novel format earlier the same day. As "Anonymous" commented about my recent post on the book, the movie probably isn't as good as the novel. But I thought the producers jammed as much as they could into the 90 minutes they had to work with pretty effectively. And Leo was stupendous as usual.
The movie: **** out of ***** stars
Nothin' much happened on Thursday, other than sitting by the pool, swimming in the ocean, and getting more massages.
On Friday, we'll have time to hike to and explore a nearby cave before catching our flight to Bangkok, where we'll spend two sure-to-be chaotic and wild days.
Wednesday, October 28, 2009
A Thailand Murder Mystery
An African American marine is driving away from the Bangkok airport when the cobras someone has left in his gray Mercedes bite him in swarms.
A man with a shaved head and shaved eyebrows named Pichai, the narrator's "soul brother and partner in insolence," finds the marine dead and also is attacked and killed.
This is how Bangkok 8, the first book in a popular detective series set in Thailand, begins. Novelist John Burdett goes on to describe how many Americans, including tough-guy marines, are scared of snakes. The Vietcong often used them as weapons in tunnels during the Vietnam War. And for good reason, the small python has wrapped itself around the black marine's shoulders and neck and is trying to swallow his entire dead head. When Pichai tries to help, the python leaps to attach itself to his left eye. The narrator tries to shoot the snake but only then does he and the growing crowd of onlookers realize that dozens more snakes are now pouring out the car door. By the end of this horrid opening scene, the narrator has shot all the snakes before they can harm anyone else.
Apparently the narrator and Pichai have previously murdered a "yaa baa dealer" and escaped to a forest monastery where they meditated for six months before being assigned by the abbot "to mend their karma" by becoming cops under his brother's charge in Bangkok's District 8.
The narrator's mother had been a call girl for rich white men. The narrator's name, by the way, is Detective Sonchai Jipeecheap.
I may come back to this book at a later date, probably when I begin to miss Thailand in a few weeks when I'm back at home in the U.S.
Tuesday, October 27, 2009
Are West Palm Senior Ciizen's Looney?
In his book Madness Under the Royal Palms, author Laurence Leamer performed an experiment to infiltrate West Palm Beach, Florida's blue-hair retirement community. Not too rough an assignment, right?
Hold on. After his first few days there, the entire residential board showed up on his doorstep, not to welcome him but rather to tell him he could no longer sit in his bathrobe in his office study without the blinds that were, incidentally, on their way in the mail.
Little did Leamer know that he was experiencing "the tip of a submerged world, which when fully explored, would yield as strange and, in some instances, as decadent a culture as one could find on or off this continent."
He tells the story of one resident, Barbara Simmons, was the former social secretary to the first lady Pat Nixon. She was a big hostess of West Palm social events, where the women were all inevitably at least 20 years younger than their husbands.
For these regular balls, the community's gay men designed the houses, decorated the homes, dressed the ladies, created the ambience, advised the aspiring, and escorted the widows.
None of this yet describes the darkness Leamer claims that the book uncovers, but it hints at it. And being the non-senior citizen that I am (and, hence, not "in the know") it sounds like a book I'm going to continue reading past the the intro.
The Beach: A Difficult Read and a NY Times Best-seller?
In honor of being just a few dozen miles away from the paradisical settings of the classic Leonardo DiCaprio film The Beach, I thought it only fitting that my beach read be the original novel by British 30-something Alex Garland (thanks for the recommendation, Peter).
We may go out to Koh Phi Phi ( which Jackson loves to pronounce as "Pee Pee Island) and Bamboo Island to see the spots where filming took place, but the book has creeped me out a little on doing so.
Garland uses simple dialogue and short explanatory sentences in Hemingway's style to tell a pretty good yarn about Richard, a British backpacker who, while staying in a hole in Bangkok, stumbles upon a map to a hidden utopian community on an island off the coast.
Richard finds the community and is allowed to stay because he knows a former member of the clan, Mr. Duck, who has subsequently gone mad. The Beach is clearly influenced by Heart of Darkness, Lord of the Flies, and modern pop culture in general. Subsequently, TV shows like Lost and Survivor clearly owe a debt of gratitude to Garland, who is also the young talent behind the screenplays for 28 Days Later and Sunshine.
The best parts of the book are the ones that seem less New-York-Times-bestseller-like. I'd like to think the story is less straightforward than it appears and more about Richard truly and slowly losing his mind (is Mr. Duck real and did Richard actually fight in a war or is he hallucinating about this?). Either way, the book eventually made me think, even though I have no idea whether this was Garland's intention or not.
**** out of ***** stars
Kayaking the Turquoise Waters of the Andaman Sea
Despite Jackson being tired and ready for a nap after our breakfast of fried eggs, French toast, wiener croissants, fruit and pad thai and swims in one of the pools as well as the Zen-like ocean, we rented a kayak and took an hour-long paddle on Tuesday morning.
The guys who carried our kayak to the water recommended, "man in back, man stronger," to which Rachel promptly replied, "Nope, I'm a better kayaker," and away we went. We set out right from in front of our resort on Hat Rei Leh West beach. We went around Happy Island and Bird Nest Island, both considered some of the best snorkeling spots on the Railay peninsula.
By noon, it was way too hot to be in the sun, so Rachel went for a walk while I chilled in the room and in our "cold" tub with the little guy. Then I went for a massage while Rachel took over the chilling duties.
Monday, October 26, 2009
Thailand: Beach Edition
Wow! That really sums up our beach in Railay Bay, just southwest of Krabi in Thailand. Known as a world-class hotspot for rock climbers, we're very lucky to get to spend the next four days here at Railay Bay Resort and Spa.
Our buddy Kwon drove us down from our mountain resort to Au Lang, where we proceded to board a longtail boat with a few other brave people. Luckily, Rachel hurriedly got Jackson's lifejacket on just in time, as water poured in to the back of the boat, while the captain steered the rustic old thing with his inner thighs over fairly bumpy waters. The ride was short, and when reached shore 15 minutes later, we piled onto a short stretch of white-sand beach nestled between sky-high karst formations and aqua-blue warm waters.
Our cottage is back off the beach and is basically it's own little property, with an outdoor cold sauna/tub, a patio and yard with a fish pool, and a lot of luxeries that are down-right ridiculous for the $69 per night we paid through a Web deal yesterday (it's definitely smart to wing vacation plans in Thailand rather than to book far in advance).
The sunset tonight was truly as psychedelic as all the guidebooks say. (I'll post a picure or two here over the next few days.) The tropical drinks are appropriately strong. The red curry was surprisingly spicy for resort fare (very thankfully). And the place's two huge pools are perfect to both keep Jackson occupied and to wear him out so he gets long nights of sleep.
Mountain Pool Lounging in Thailand
Our fears about the quality of our mountain resort from the night before were, shall we say, dramatically unfounded.
We woke Sunday morning to one of the most beautiful views imaginable: a giant rock karst mountain looming thousands of feet above us outside our cute yellow and brown bungaloo.
The chefs got our compliments as breakfast of French toast, pancakes, fresh fruit grown at the resort, baked beans, and bacon and eggs satisfied our need for some good old Western food. And, oh, the coffee in Thailand is so good, especialy after the nasty instant stuff in Cambodia over the past two days.
We took a hike along a lengthy construction of waterways built impressively (and very natural-looking) throughout the resort. At the high point, we ended up at a pool that we were at first unsure about venturing into. Bur with the heat bearing down, it didn't take long for us to jump in. The water felt wonderful and Jackson was soon spraying us with a hose and crawling all over the rocks jutting up throughout the pool water.
We took advantage of the short afternoon rains by napping, reading and playing online a little bit. Then we took another hike to view the sustainably operated resort, with rubber being tapped from the trees to sell; plenty of papaya, coconut, and banana trees; and lillypad farms, to name a few highlights.
More good Thai food ended our day. We'll wake up in the morning, eat breakfast, go for a swim, and head to the beaches. I can't believe my sabbatical ends in a little under two weeks. Life is too good to work!