"I think art is the thing that fixes culture, moment by moment." - Author Ottessa Moshfegh
Sunday, December 30, 2018
Three Billboards blows away the other movies I saw this month
Mary Poppins Returns: The original had lots of memorable tunes, but I’m not sure I’ll remember any of these new numbers for long. The performances by Emily Blunt and Lin-Manuel Miranda are admirable, and there’s a lot of great cinematography, but there’s not nearly enough of a story. (At the movies; 3.5 out of 5 stars)
The Florida Project: I’m pretty much a sucker for anything Willem Dafoe is in. But he’s not really the main focus here. He gets you in the door, but then a bunch of unknown actors play the roles of trailer trash living in a forgotten landscape on the outskirts of Disney World. It's a pretty fascinating look at a way of life, if a bit of an aimless plot. (Rented from library; 3 out of 5 stars)
It Follows: Great music highlights this fairly middling horror flick that tells the story of a girl battling a multi-faced ghost that chases down people who have had sex with her and a string of other unlucky souls. An ok premise but slow pacing doesn’t add to what should be a more suspenseful story. (Netflix; 2.5 out of 5 stars)
Dumplin’: I guess I randomly picked this stinker because I like Jennifer Aniston a lot. This is her worst performance. There are lots of good morals to the story and, as my wife reminds me, "this was not made for a 48-year-old male," but that still doesn’t make up for the deplorable script and bad acting. (Netflix; 1 out of 5 stars)
Friday, December 7, 2018
McDonald’s attracted talent by making its headquarters transit accessible
Friday, November 16, 2018
What will Amazon mean for Metro riders?
Monday, November 12, 2018
A Star is Born comes along as shockingly great
With two little kids, I admittedly don't make it the movie theater to watch adult movies much these days. So I can't make huge pronouncements at the moment about the competition, but I hope A Star is Born sweeps the Academy Awards in a few months.
Bradley Cooper as the aging rock star. Best Actor. Check. Lady Gaga as a genuine person who goes from nothing to the top. Best Actress. Check. All the big players. Best Supporting Roles. Check. Best Picture. Check.
I went to this film thinking I'd like it but that it easily could border on romantic schmaltz. But the story is all there. And the characters are all so real. No gloss whatsoever. And oh the songs, made even better by the fact that Cooper and Gaga wrote them all and performed them often live in front of festival and other audiences. Just incredible. I actually cried during at least four songs. (Here's a good article in Vanity Fair about how Cooper became such a great singer and songwriter.)
Run out and see this before it leaves theaters as quickly as you can.
5 out of 5 stars
Saturday, November 10, 2018
Aretha Franklin made us all feel like a “natural woman”
If anyone ever doubted her talent, all it takes is one viewing of this clip.
Saturday, October 6, 2018
Kids today are fascinated by 1980s movies
Recently I’ve boosted my movie knowledge by adding Teen Wolf, Uncle Buck, Adventures in Babysitting, and Don’t Tell Mom the Babysitter’s Dead to the list of older movies I’ve seen for the first time with and because of my kids. Heck, I’d never even seen Wayne’s World (excellent, by the way). I let my 5-year-old watch Austin Powers, thinking she would be bored within about two minutes. But she watched the whole thing and now often says “yeah baby” to me in a groooovy British-ish accent.
Pop culture note: With his movies, Fox has never topped his legendary TV role as Alex P. Keaton in Family Ties. But my favorite of his films, in order, are Casualties of War, Bright Lights Big City, Back to the Future, and The American President.
Friday, September 28, 2018
Do Uber and Lyft really care about being environmentally sustainable corporations?
For Paul Mackie, director of communication and research at Mobility Lab, which studies transportation behavior and policy, the announcements are another sign of how these companies are adopting roles as “societal partners” rather than just ride-hailing services—ones that can change the way public transit is marketed to the masses. In moving into the bike- and scooter-sharing markets, Uber and Lyft are also encouraging more people to ponder driving alternatives, and making it easier for them to change their behavior.
Lyft’s campaign resembles the new subscription service the firm is experimenting with in Salt Lake City, in which participants pay a flat $200 every month for 30 rides. But by integrating bikeshare and public transit, Lyft’s “Ditch Your Car” initiative goes one step further, potentially demonstrating how public transit agencies could benefit from a new payment model. “You think of these other smart industries—like Netflix or food recipe subscriptions—those are working and it's showing that it's what people want,” Mackie said. “Why is public transit so slow to have that model?”
... “It would be naive for anyone to think that Uber and Lyft aren't thinking about what’s best for their bottom line,” said Mackie. The two companies also want a seat at the policy-making table, with both ramping up their lobbying spending over the last few years. (Uber’s backing of congestion pricing, as CityLab previously reported, could be a win-win for both company and city.) Uber is still scrubbing its brand after the multiple scandals associated with former CEO Travis Kalanick, while its smaller competitor Lyft is sticking with its famous “better boyfriend” strategy, donating to the ACLU and giving voters free rides to the polls.
But the companies are still leaving out the one thing cities really want: data. Uber’s gift to SharedStreets may be a gesture toward handing over more of this precious resource, and Mackie thinks this could be another win-win for both sides. “Cities have curb space and parking—things that could really help Uber and Lyft,” he said. “We like to think that if they did share their data, then the governments can work with them to make cities much nicer working grounds.”
And Mackie also credits Uber and Lyft with encouraging more people to consider sustainable transit options. Despite the rise of ride-hailing, Americans are largely still holding on to their private cars, and the concept of shared mobility remains novel to many. “So it’s another thing to be a bit of cheerleader for Uber and Lyft because we want them to incorporate this sharing mindset in all of us,” he said. “It’s a noble experiment in behavioral change.”
E-bikes: An exciting alternative
It’s too early to tell if electric bicycles hold the secret to grand pronouncements such as “the
future of transportation.” But there’s definitely something interesting happening.
Anecdotally, I researched e-bikes for years before I felt comfortable enough to buy one as a
way to improve my mobility options in a ridiculously congested place like the Washington D.C.
region. There weren’t enough retailers who would also be able to make necessary repairs,
something this is more complicated than with traditional bicycles. The battery technology
wasn’t good enough to carry a charge decent enough to get back-and-forth across the city.
The first e-bike I bought ended up being too difficult to get repaired and I returned it,
thankfully (after lots of headaches), for a full refund from the German company, with a
California wholesaler and a D.C. retailer.
But earlier this year I tried again. After test riding many e-bikes and researching online (and,
despite the excellent Electric Bike Reviews site, with so many manufacturers and models, it’s
still an intimidating purchase decision), I purchased an excellent Magnum Metro from Hybrid
Pedals in Arlington, Va.
I’ve never met anyone who didn’t agree that, after riding an e-bike, it changed their life. The
problem is that so few people have actually ridden e-bikes. The U.S. market grew by 25
percent in 2017, to 263,000 e-bikes sold. At that rate, it will take a long time to make much of a
dent in the still-small percentage of people who bike for utilitarian purposes like getting to
work, going to eat, or meeting friends.
Some of the good news is that new and trendy options like Uber, Lyft, e-scooter shares,
dockless bikeshares, and soon autonomous shuttles may slowly be getting people out of their
century-long drive-alone mindset. In an increasingly crowded and polluted world, e-bikes could
play a valuable role in being a gateway to switch from this bad habit to these healthier, more
sustainable, more affordable, and just plain fun choices.
If all bikes today - every single bicycle in the entire world - were suddenly thrown away and
replaced with e-bikes, that wouldn’t be good for the environment. Obviously.
But e-bikes are good for the environment in a somewhat surprising way: because riding an ebike
is less physically demanding than a regular bike, making it easier to climb hills and go
longer distances, people might ditch cars for e-bikes.
Sounds far-fetched, but research says otherwise. An extensive survey of more than 1,800 ebike
users in the United States by the National Institute of Transportation and Communities
earlier this year found that most participants switched to e-bikes to reduce car use.
“What stood out, however, is how many motives involved eliminating driving hassles,”
Bicycling’s Selene Yeager wrote of the study. “Twenty-eight percent of respondents said they
bought an e-bike specifically to replace car trips. Others pointed to craving a more car-free
lifestyle, such as using e-bikes to carry cargo or kids, avoid parking and traffic woes, be more
environmentally minded, and have a more cost-effective form of transportation.”
But Americans are buying e-bikes at much lower rates than people in China and Europe. In fact,
the Wall Street Journal quoted a transit expert in 2016 claiming that 60 percent of all battery
production in China was for e-bikes. That’s a lot of batteries.
So how can we fix this? We can educate people on the benefits of e-bikes (and make sure they
know that riding an e-bike is still good for your health). We can advocate for better bike
infrastructure, which is proven to increase rates of bicycling across the board.
The research holds for me personally as well. I definitely bought my e-bike to maneuver more
easily and efficiently through D.C.’s stressful traffic. My car trips have gone way down, and
now my 17-mile roundtrip work commute is often the best part of my day.
Saturday, September 15, 2018
Cord cutting my cable gives me unlimited TV options this fall
I've got Amazon Prime, Netflix, Sling TV, YouTube, and MLB on my Roku and get to spend about $100 less than I was with Verizon Fios, which I basically never watched and had a big pile of junk on my DVR that I always felt obliged to watch.
After trying a few other apps, Sling TV is clearly the best. I'm paying $45 a month for the channels I want to watch and even have 50 hours of cloud DVR included. And maybe the best thing about Sling compared to cable is that I can watch live or recorded TV anywhere on any of my devices.
Here are some shows I hope to catch this fall and where I'll watch them:
Amazon's new Forever, starring Fred Armisen and Maya Rudolph is being billed as a must-see take on a faltering relationship. And The Romanoffs is producer Matthew Weiner's first return to TV since Mad Men.
Viceland on Sling has The Hunt for the Trump Tapes, with Tom Arnold searching journalist-style for at least a handful of Trump's pre-presidential idiocies. I can't imagine The Cool Kids could be good, but it is co-created by It's Always Sunny's hilarious Charlie Day and I can watch Fox on Sling. I'll probably also continue to give The Good Place a shot on Sling's NBC.
Once the football, college basketball, and baseball seasons end and I can switch up my sports-heavy Sling subscription (you can change it around anytime rather than being locked into a cable contract), I'll subscribe through Sling to Showtime. Jim Carrey is being hyped as a return-to-form Mister Rogers type in Kidding. And Escape at Dannemora, about the recent prison break in upstate New York, looks like true-crime fun.
I might have to splurge for the HBO app at some point too. Not that Lena Dunham's new Camping is the thing that will break me towards doing it, but it won't hurt either.
And of course, like any good cord cutter, I bought an antenna for $20, which allows me to watch the two "networks" I don't get through Sling TV, CBS and PBS. Can't think of a reason besides football that I would ever watch CBS, but the Native America documentary on PBS could help me put that antenna to use.
Friday, August 10, 2018
Stop signs can help us make the world a better place
Tuesday, July 31, 2018
Living better often means having calmer mobility options
Thursday, July 19, 2018
Waterworld was not Raiders of the Lost Ark because ...
Take, for example, Kevin Costner's "epic" Waterworld, which I've somehow managed to miss until now. In fact, people have always told me I'm right to have missed it.
But really, there's very little difference between Waterworld and other classic action adventures like Raiders of the Lost Ark. Costner is almost as cool as Harrison Ford, with the gills behind his ears, his webbed feet, and his ability to swim all the way to the bottom of the ocean to see lost cities, kind of like the Statue of Liberty's famous appearance in the original Planet of the Apes.
Where things get dicey is the moment his co-star, Jeanne Tripplehorn, says, "We're going to die here, aren't we?" after Dennis Hopper's gang of Smokers leaves them for dead on Costner's beloved burnt-to-a-crisp ship.
Of course they're not going to die there. Just moments before, Costner had shown Tripplehorn how he can breathe under water for inordinate amounts of time. And still before that he had shown her how he could take her all the way to the bottom of the deep sea with absolutely no problem at all.
Writing and plot-point slips like that keep Waterworld from becoming a classic. Or at the very least a cult classic. It's a damn compelling movie otherwise. The premise is hard to beat when it comes to sci fi: the Earth has been swallowed by the sea and this is what happens many years later for the surviving barbarians.
Even the second-to-last scene, when Costner hilariously (I literally burst out laughing) jumps out of a balloon to pluck the little girl out of the water before she is potentially killed by a bunch of evil knuckleheads on ATVs, couldn't have kept the wack-job film from becoming a classic.
It's no surprise that the two female leads, who suffer from the hands of an earlier time when it was normal for the likes of Costner and Hopper to bat them around like rag dolls again and again, never saw their careers take off like rockets after Waterworld.
Tripplehorn somehow managed to salvage a bit of a career with roles in TV's Big Love and as Jackie Kennedy in Grey Gardens (she does look like Jacqueline O). Tina Majorino as the little girl could have perhaps become a massive star if not for her involvement in Waterworld, with great dabbles of success in Napoleon Dynamite and also a bunch of TV shows, also including Big Love.
I frankly couldn't take my eyes off Waterworld. Like a ship going down. But it did take me three installments of watching over three consecutive nights. I would have hated to be in the movie theater watching it all in one stretch.
2.5 out of 5 stars (mediocre, which is pretty much panning it since it was supposed to be a slam dunk)
Friday, July 6, 2018
Drive-By Truckers bring Southern charm to Yankee territory
Also hard to believe, as long as I've been coming to the Adirondacks, that I'd never seen a show at the Saratoga (N.Y.) Performing Arts Center, an outdoor amphitheater. Stanton, Jason, and I scored sweet seats about 15 rows back in the center, thanks to Rachel's grandmother's "patron" status at SPAC.
The sound was a little too muffled for my taste during the Truckers' set (it oddly sounded clearer when I wandered on the lawn out back). Of course, there is never any comparing to D.C.'s 9:30 Club, where I last saw the band and which always has immaculate sound.
The setlist leaned heavy on the American Band LP, which I ranked as the 36th best of 2016. They played "Ramon Casino," "Darkened Flags on the Cusp of Dawn," "Surrender Under Protest," and "Kinky Hypocrite" from that release. All strong mid-tempo chuggers.
Some of the definite highlights were off the Truckers' classic albums, including the Skynyrd-y "Sink Hole" from 2003's Decoration Day, "Let There Be Rock" from 2002's Southern Rock Opera, and Hood's epic slow burners "A Ghost to Most" from 2008's Brighter Than Creations Dark and "Babies in Cages," which obviously couldn't have been more timely, as America currently licks its chops at taking great pride in ripping families apart from each other.
My favorite was "Marry Me," off Decoration Day, which may be their best best, most signature track. Bassist Matt Patton's (formerly of the excellent Dexateens) showcase Ramones' cover "The KKK Took My Baby Away" was my second favorite moment of the night.
Also, I liked openers The Marcus King Band, and headliners Tedeschi Trucks Band was entertaining too, as the place really became electric once the sun went down after the Truckers' set.
Drive-By Truckers: 3.5 out of 5 stars.
Wednesday, July 4, 2018
Stephen King's latest novel captures the zeitgeist of our immigration times
Some of that could be said for his latest, The Outsider. But it still ends up feeling very much of this time and place. "The outsider" feels like code language for the country's ongoing struggle with what we think immigration means. We as Americans seem to have a very hard time trusting people who aren't quite like us. And King displays how that lack of trust often extends even to the people we think we know intimately well.
Also, the setting is in Oklahoma and Texas (with a little good-old Midwestern Ohio thrown in), places where the immigration debate rages especially strong. Like the epic tale's early protagonist, Terry Maitland, I too studied English and coach baseball. Perhaps that helps me relate especially well.
Maitland is one of Cap City's most loved personalities. But several eyewitnesses catch him kidnapping a young boy who is later found partially eaten and sexually attacked. The townsfolk turn violently against Maitland and his family.
Meanwhile, a second story unfolds through the book's second half, when investigator Holly Gibney comes to town to assist in finding whether Maitland or an imposter who can shape shift into others' faces and bodies is the perpetrator. A group of investigators go on the search to a scary mine shaft in Marysville, Texas, and it's not too much of a spoiler to say some of them won't return.
The Outsider may be the shortest 560-page book I've ever read. That's because it's such a page-turner. Like with many of King's books, this one has so many levels of suspense going on all the time that it becomes painful to have to put down. This is one of several of his books that left me sad that it had to end.
On my list of favorite King books, I put this at #7, right behind Pet Cemetery and in front of Under the Dome.
4.8 out of 5 stars.
Sunday, July 1, 2018
Stephen Malkmus helps Pavement's legacy continue to grow
No matter how many years go by since the demise of my third-favorite band of all time, Pavement's legend just keeps growing because leader Stephen Malkmus just keeps adding so much music to the catalog. (Much like how the combo of Velvet Undergound/Lou Reed maintains its place as my fifth-favorite ever.)
And that huge catalog translates to great shows every time I see Malkmus (like the last time in 2014 and, needless to say, the Pavement reunion show in 2010).
The latest, June 18 at Black Cat in D.C., was no different.
The show began with a great one-two punch of two of my favorite songs from the new album Sparkle Hard. "Cast Off" was the warm up for both the album and the show, followed by the hipster bike-lover showcase of "Bike Lane."
In fact, some of the strongest moments came courtesy of Sparkle Hard: "Solid Silk" is mesmerizingly beautiful. "Refute" is fun, corn-pone goodness (and includes Kim Gordon, formerly of Sonic Youth, on the record).
Two songs off 2005's Face the Truth were definite highlights. "Malediction" is an under-rated happy ditty and "Freeze the Saints" (with just singing and no guitar from Malk), would make any greatest hits collection should there ever be one for his post-Pavement material.
2011's Mirror Traffic also made an appearance with the mellow "No One Is (As I Are Be)" and the soaring "Stick Figures in Love." (Strangely, there were no songs from 2014's Wigout at Jagbags.)
"Dark Wave," although far from the best song on 2003's Pig Lib, was the weirdo tune needed for the middle of the set. The new "Future Suite" kept the loopiness going. Then "Shiggy," also off Sparkle Hard, brought the screamo Pavement-like rock.
The weakest moments of the show were "Brethren" off the new album (the representative of what now seems to be a requirement for every Malkmus album, the one song that sounds like a Grateful Dead outtake) and the new, droning and ProTools-y "Rattler." And I've never been all that crazy about "Baltimore," from 2008's Real Emotional Trash, but it definitely fit well as the guitar-jam for the end of the main set.
The encore couldn't have been more perfect. The best song on the latest release, "Middle America," led into Pavement classics "Shady Lane" and "In the Mouth a Desert" ("when you treat it like an oil well"), at which point Pablo and I got so excited in the 12th row or so that we spilled beer everywhere.
****1/2 out of ***** stars
Tuesday, June 26, 2018
How Uber and Lyft are scooting their way to global domination of transport
“Not many people in our country take bikes and scooters for utilitarian trips, for going to work, the grocery store, out at night even though it’s a low-cost healthy way to get around,” said Paul Mackie, director of research and communications at the Mobility Labs think tank. “It’s great that Uber and Lyft are putting money and publicity and building interest in these other great ways to travel. It lends credence to them as mobility companies, not just tech companies.”
Monday, June 18, 2018
The best way to do microtransit? Have transit agencies operate it
Monday, May 28, 2018
Best magazine reads: Quincy Jones offers a true insider’s look at fame, gossip, and rock royalty
1. He wears a ring that old buddy Frank Sinatra wore on his finger for 40 years.
2. About Sinatra, many of whose records he helped arrange, he says, “He was bipolar, you know. He had no gray. He either loved you with all of his heart or else he'd roll over your ass in a Mack truck in reverse. He was tough, man. I saw all of it. You know, I'd see him try to fight—he couldn't fight worth a shit. He'd get drunk, and Jilly, his right-hand guy, stone gangster, would get behind him and break the guy's ribs.“
3. “Frank was always trying to hook me up with Marilyn Monroe, but Marilyn Monroe had a chest that looked like pears, man."
4. He says Taylor Swift can’t write songs.
5. He says Truman Capote was a racist, even if he later profusely apologized to Jones about what sounded like some racist preconceptions.
6. About Ray Charles, he says he “went 30 years with heroin, and then the police told him he couldn't get his license to play clubs unless he stops. And he did, and then he started on black coffee and Dutch Bols gin for 25 years. Ray, all of his veins were dried up and black,
and he's shooting himself in the testicles.”
7. He talks about a night Michael Jackson and Prince both made short cameos at a James Brown concert and Jackson blew The Purple One out of the water.
8. He hung out with Joseph Goebbels’ girlfriend and she told him all about how Hitler and most fo the Nazis were huge cokeheads.
9. He was with Jay Sebring a few hours before he was murdered at Sharon Tate’s house by Charles Manson’s gang, and Jones was even supposed to have been there but forgot to go.
Sunday, April 29, 2018
Hamilton is inspiring in many ways, including rereading about the Revolutionary War
After seeing Hamilton on Broadway, the inevitable next step is to dig back into Revolutionary War literature. I figure one place to start and not go wrong is with acclaimed author David McCullough.
Sunday, April 22, 2018
Escape Campervan-ing, an Arizona safari, and ending Spring Break in Phoenix
Finally, anyone who rents an Escape Campervan, which are now available in many cities throughout the country, won’t regret it. The customer service was incredible, the price was maybe even less than renting a typical minivan without a kitchen or pop-up bed, and we were able to pick up lots of groceries and other necessities like a cooler and firestarter wood in our pick-up location where others returning from their trips left the materials in a community-share area. And it was fun to count the other Escapes along the way. Jackson’s final tally was 27, and we talked to many of their occupants about our similar travel experiences.